Recent Publications
Music Journalism for post-trash
IAN Sweet - Sucker
Talking Kind - It Did Bring Me Down
Paper Bee - Thaw, Freeze, Thaw
Poetry, CNF & Fiction
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Stone of Madness Press, 2023
“Exquisite Corpse as Cootie Catcher”
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Georgia Review
Finalist for the Loraine Williams Prize
Judged by Hanif Abdurraqib
“Panhellenic Building Blueprint”
Forthcoming Winter 2023
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Passages North
“-issimos”
Visual Essay
Forthcoming 2024
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Peatsmoke, 2023
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The Offing, 2023
“Alternative Story of Saint Lucy”
Two micro pieces
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Heavy Feather Review, 2023
One poem
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Quarter After Eight, 2023
“Streetlamp Mouth”
Vol. 29 Robert J. DeMott Short Prose Contest Finalist
“Spaghetti Western in Heroic Couplets”
One piece of CNF
Art by K.S.Y. Varnam, from Peatsmoke
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UTK Phoenix Literary, 2023
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Lavender Bones, 2022
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Waxwing, 2022
From the UTK Phoenix
My work featured at the release party for the issue! See link above for a close reading. A line from my poem, “The Big One” is also featured on the cover of the issue, reading “Even when I am selfish, I am trying so hard not to shake in front of you.”
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Underblong, 2023
One poem
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Grimoire, 2022
Uncanny Valley Girl: Legibility & the Archetype of the Witch in My Expressions of Non-Binaryness
Hybrid Poetry Performance & Lecture
Originally performed at Visiting the Shadows Conference 2022 in Prague, Czechia
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American Literary Review, 2022
Short Story
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ellipsis... 2021
2021 ellipsis… award in Literature
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Cleaver Magazine 2021
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Pigeon Pages 2020
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Boog City 2020
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Hobart Pulp, 2019
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Breakwater Review 2018
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Tinderbox 2018
Awards
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2022 UTK Graduate Writing Awards
1st Place in Poetry, “Exquisite Corpse as Cootie Catcher” selected by Ananda Lima
From the playful use of “Cootie Catcher” in the title to the graphically suggestive shape of the folding lines, I love how fully and intelligently this poem uses its cootie catcher form. The text of the poem transforms the cootie catcher, beginning with the word “pink,” and building up to a crescendo to “places where I bury you in my mouth,” making me interpret the shape of this once familiar object anew. It is a visual poem that works beautifully in two dimensions, but it is a procedural poem (in that the reader can perform the known actions of folding it and using it), and a potentially sculptural poem (in three dimensions, once folded). It is lovely if read flat, using the usual reading conventions (beginning on the top right, ending on the bottom left). But it is also wonderful as a functioning cootie-catcher, with the lines being delivered in isolation and out of order. “
-ANANDA LIMA
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2021 ellipsis... award in Literature
“Fae/Faer” Selected by Laurie Ann Guerrero
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2018 Peach Mag Bronze Prize
“In a 1926 Suburban Backyard, The Older Sister Explains How the Charleston Became Known as the Dance of Death” Selected by Morgan Parker
I love the expert handling of language, playful word and syntax choices--the poem is so controlled and sharp. Just some delicious lines throughout.
-MORGAN PARKER
From ICA Boston’s First Fridays, 2020
Poem: “Love Letter to the Tactile”, published in Boog City
Filmed by Pocholo Itona
Edited by Ilhan Alyanak